Model answer & approach
- Myth as oral literature (Answer in 150 words)
Introduction
To read a sacred narrative as a spoken art form shifts attention from what it asserts to how it is made and performed. The gain is a technique of analysis; the cost is the narrative's social work.
Body
1. Composed in performance: myth has no fixed text. The Parry-Lord oral-formulaic studies showed the narrator rebuilding the tale each telling from stock phrases and episodes, so variation is normal rather than corruption, and audience and occasion shape the version.
2. Formal features: formulaic openings, repetition and triadic patterning, stock epithets, songs embedded in prose, and recurring motifs catalogued in Thompson's Motif-Index. Propp's narrative functions and such mnemonic devices make long tales reproducible without writing.
3. What the framing misses: it cannot explain why the tale is believed. Malinowski's charter function, warranting clan land and rank, and Levi-Strauss's unconscious logic mediating contradiction lie outside literary description.
Conclusion
The literary approach is indispensable for transmission, style and variation. It must be joined to functional and structural readings, or myth becomes a story detached from the society that tells it.
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