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Class 7HistoryOur Pasts – IIChapter 6

Devotional Paths to the Divine

≈ 45 min read · 17 Prelims and 4 Mains questions from this chapter
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Start here: why this chapter matters

In simple wordsMost of this book so far has been about kings, armies and taxes. This chapter is about something people carried in their hearts and voices: songs to God. Some were sung by a potter, some by a princess, some by a weaver at his loom. Many said the same surprising thing — that God does not care about your caste, your wealth or the rituals you perform, only about your love.

This is Chapter 6 of Our Pasts – II. Chapters 2–5 (gess102–gess105) traced kingdoms, the Sultanate, the Mughals and changing societies; this chapter follows religious ideas and devotion over the same thousand years. It covers: the idea of a Supreme God and early bhakti; the Nayanars and Alvars of the Tamil region; the philosophers Shankara and Ramanuja; Basavanna’s Virashaivism; the saint-poets of Maharashtra; the Nathpanthis, Siddhas and Yogis; Islam and Sufism; the new saints of north India; and close looks at Kabir and Baba Guru Nanak. It has fifteen pages of reading, so ten concept sections, following the book’s own headings. Every tradition is described in its own terms, and where scholars read it differently, their views are set side by side with names attached — this page does not rank faiths or take sides. The next chapter, gess107, follows regional languages, literature, music, dance and painting — where many of these saints’ songs live on.

Devotional paths on one axis, 600–1720 (axis to scale)600700800900100011001200130014001500160017007th–9th c. · Nayanars and Alvars, Tamil region8th c. · Shankara, born in Kerala — Advaita10th–12th c. · Chola, Pandya temples; poems compiled11th c. onwards · Sufis from Central Asia settle11th c. · Ramanuja, born in Tamil Nadu — Vishishtadvaitamid-12th c. · Basavanna’s Virashaiva movement, Karnataka13th c. · Rumi writes in Persian13th–17th c. · saint-poets of Maharashtra15th–16th c. · Rishi order flourishes in Kashmir15th–16th c. · Kabir (‘probably’, NCERT)1469–1539 · Baba Guru Nanak; centre at Kartarpurlate 15th c. · Shankaradeva of Assam16th c. · Mirabai; Chaitanyadeva; Tulsidas, Surdas1604 · Guru Arjan compiles the Gurus’ hymns1606 · Jahangir orders Guru Arjan’s execution1699 · Guru Gobind Singh institutes the Khalsa1706 · compilation authenticated: Guru Granth SahibDots at their dates; blocks on the axis and bars beside it are periods (centuries as NCERT gives them) · labels evenly spaced
Ten centuries of devotional paths on a to-scale axis; centuries as NCERT gives them.
Reading the chapter opening — the title image and the side box ‘The beginning of Bhakti’ (page 61)The title band carries an uncaptioned image of a gold coin or medallion showing seated figures beneath a canopy of leaves; the book does not identify it, so we do not either. The page also has a QR code to NCERT’s e-content. The side box explains that worship of Shiva, Vishnu and goddesses such as Durga — central to later Hinduism — grew in importance through bhakti, generally understood as a person’s devotion to his or her chosen deity, open to rich and poor, so-called ‘high’ and ‘low’ castes, men and women alike; the idea is present in the Bhagavad Gita. The point: the chapter defines bhakti from the start as open to everyone.
  • Links in this book: gess102 (the Cholas and Pandyas whose temples housed bhakti shrines); gess103 (the Delhi Sultanate, when Sufi centres spread — NCERT’s ‘Chapter 3’); gess104 (Jahangir and Guru Arjan; Akbar’s age of Mirabai, Tulsidas and Surdas); gess105 (jatis and caste — the social order these saints questioned); gess107 (regional cultures, languages and arts); gess108 (the Sikhs in the eighteenth century).
  • Deeper pages: lehs202 (Class 12: Bhakti–Sufi Traditions — hagiographies, the Chishtis, Kabir, Guru Nanak and Mirabai in depth); iest203 (Class 9 new syllabus: bhakti and Sufi traditions within 1000–1700 CE); lehs104 (early Puranic Hinduism, avatars and temples); kefa107 (Chola bronzes, including saint images like Fig. 2); kefa108 (Indo-Islamic buildings, including dargahs). This page links them and does not re-teach them.
  • UPSC: a staple of Prelims ‘Art and Culture’ — saints and their regions, texts, philosophies, Sufi orders and Sikh history (1979–2022 in our bank). Mains GS1 has asked about Sufis and mystic saints (2014), Chaitanya (2018) and bhakti literature (2021); GS4 asked about Guru Nanak’s teachings (2023).
WordWhat it means here
BhaktiDevotion or love of God; a person’s devotion to his or her chosen deity
PuranasTexts of myths and legends about deities, which also prescribed methods of worship
Nayanars; AlvarsTamil saint-poets devoted to Shiva; to Vishnu
HagiographyWriting of saints’ lives (NCERT’s definition box)
Advaita; VishishtadvaitaOneness of the soul and the Supreme God (Shankara); ‘qualified oneness’ — the soul united with God yet distinct (Ramanuja)
MayaIllusion — Shankara’s word for the world around us
Virashaivism; vachanaThe movement of Basavanna and his companions; a saying attributed to them
AbhangA Marathi devotional hymn
SantA saint-poet of the bhakti tradition (NCERT’s word for the saints of Maharashtra and north India)
SufiA Muslim mystic
Zikr; sama; raqsChanting of a name or sacred formula; singing; dancing — Sufi practices
Pir; silsila; tariqaA Sufi master; a spiritual genealogy of Sufi teachers; a master’s method of instruction and ritual practice
Khanqah (hospice)A Sufi master’s house of assembly; a hospice is a house of rest for travellers, especially one kept by a religious order
DargahThe tomb of a Sufi saint, a place of pilgrimage
Namghar; satraA house of recitation and prayer (Shankaradeva); a monastery for transmitting knowledge
Langar; dharmsalThe common kitchen; the sacred space created by Baba Guru Nanak, now called a gurdwara
KhalsaThe order instituted by Guru Gobind Singh in 1699; the community, the Khalsa Panth
Reading the Keywords box (page 77)Virashaivism, bhakti, Sufi, khanqah. The point: the book’s four anchors are a movement (Virashaivism), an idea (bhakti), a tradition (Sufi) and an institution (the khanqah). Each is in the key-terms table and taught below.

At a glance — the six ideas to carry away

  • Idea of a Supreme God: rebirth and birth-based inequality widely accepted; some turned to the Buddha or Jainas, others to a Supreme God reached by bhakti (the Bhagavad Gita); Shiva, Vishnu, Durga; local gods merged through the Puranas; grace regardless of caste.
  • Tamil bhakti (7th–9th c.): Nayanars (Shiva, 63; Appar, Sambandar, Sundarar, Manikkavasagar; Tevaram, Tiruvacakam) and Alvars (Vishnu, 12; Periyalvar, Andal, Tondaradippodi, Nammalvar; Divya Prabandham); Chola and Pandya temples (10th–12th c.); hagiographies.
  • Philosophy: Shankara (Kerala, 8th c.) — Advaita, formless Brahman, maya, knowledge; Ramanuja (Tamil Nadu, 11th c.) — Vishishtadvaita, devotion to Vishnu, influenced by the Alvars. Basavanna, Allama Prabhu, Akkamahadevi — Virashaivism, Karnataka, mid-12th c.
  • Maharashtra (13th–17th c.): Dnyaneshwar, Namdev, Eknath, Tukaram, Sakhubai, Chokhamela’s family; Vitthala of Pandharpur, Varkari; abhangs; householders. Narsi Mehta (Gujarat). Nathpanthis, Siddhas, Yogis: renunciation, yoga, a formless reality.
  • Sufis: Muslim mystics; zikr, sama, raqs, pir, silsila, tariqa; Ghazzali, Rumi, Sadi; Rishi order of Kashmir (Nund Rishi); Chishti: Muinuddin (Ajmer), Qutbuddin Bakhtiar Kaki, Baba Farid, Nizamuddin Auliya, Gisudaraz (Gulbarga); khanqah, dargah.
  • North India: Kabir (julaha, Benares; sakhis, pads; formless God) and Baba Guru Nanak (1469–1539; Kartarpur, langar, dharmsal; nam, dan, isnan) vs Tulsidas (Rama, Awadhi), Surdas (Krishna); Shankaradeva (Assam, namghar), Chaitanyadeva, Mirabai; Gurmukhi; 1604, 1606, 1699, 1706.

1. The idea of a Supreme God

In simple wordsImagine a village where your place in life is fixed from birth, and you are told you will be born again and again according to your deeds. Some people try to break free by their own effort, like an athlete training alone. Others feel that a loving, all-powerful God will lift them out if they simply turn to Him with all their heart. That second feeling is bhakti.

Before large kingdoms emerged, different groups worshipped their own gods and goddesses. As the growth of towns, trade and empires brought people together, new ideas spread. Two became widely accepted: that all living things pass through countless cycles of birth and rebirth, performing good and bad deeds; and that human beings are not equal even at birth — many learned texts held that social privilege came from birth in a ‘noble’ family or a ‘high’ caste. Many people were uneasy with these ideas. Some turned to the teachings of the Buddha or the Jainas, by which one could overcome social differences and break the cycle of rebirth through personal effort. Others were drawn to the idea of a Supreme God who could deliver humans from this bondage if approached with devotion (bhakti) — an idea found in the Bhagavad Gita, which grew popular in the early centuries of the Common Era. Shiva, Vishnu and Durga came to be worshipped as supreme deities through elaborate rituals; at the same time gods and goddesses worshipped in different areas came to be identified with Shiva, Vishnu or Durga. Local myths and legends became part of the Puranic stories, and Puranic methods of worship entered local cults. Eventually the Puranas laid down that devotees could receive God’s grace regardless of caste. The idea of bhakti became so popular that even Buddhists and Jainas adopted these beliefs.

⤵ How local gods joined a wider tradition (NCERT pages 61–62)
Many local cultseach group worships its own gods and goddesses
People brought togethertowns, trade and empires spread shared ideas
Identificationlocal deities come to be identified with Shiva, Vishnu or Durga
Into the Puranaslocal myths and legends become Puranic stories
Into local worshipPuranic methods of worship enter local cults
Grace for allthe Puranas say devotees may receive God's grace regardless of caste
Reading Fig. 1 ‘A page from a south Indian manuscript of the Bhagavad Gita’ and the side question (page 62)A painted manuscript page: lines of Sanskrit in Devanagari script frame a central picture of two figures seated in a canopied chariot drawn by white horses — the setting of the Gita, in which Krishna speaks to Arjuna as his charioteer. The side question asks whether you can see local myths and legends gaining wider acceptance even today. The point: the Gita — where the idea of bhakti appears — was copied and illustrated far from where it was composed, a sign of how widely the idea travelled; and the merging of local and wider traditions is a process that continues.
A debate, not a verdict: where did bhakti come from?NCERT traces bhakti to the Gita and the Puranas. Scholars have asked when and where devotional religion took its familiar forms. All entries except NCERT’s are Beyond NCERT; none is endorsed, and none is a judgement about any tradition today.
ReadingWhoPosition
Gita, Puranas, then the saintsNCERT (this chapter)bhakti, present in the Bhagavad Gita, grew popular in the early centuries CE; the Puranas absorbed local cults and promised grace regardless of caste
Older devotional cultsR.G. Bhandarkar, Vaisnavism, Saivism and Minor Religious Systems (1913)traced Vaishnava and Shaiva devotion to early cults such as the worship of Vasudeva-Krishna, long before the medieval saints
Emotional bhakti from the Tamil southFriedhelm Hardy, Viraha-Bhakti (1983)the intensely emotional devotion to Krishna took shape in early Tamil poetry, especially the Alvars, and later spread north
No single ‘movement’Krishna Sharma, Bhakti and the Bhakti Movement (1987)the idea of one bhakti movement, and its division into ‘saguna’ and ‘nirguna’, are modern scholarly constructions over many distinct traditions
The idea of a Supreme God: exam lines
  • Bhakti is in the Bhagavad Gita; popular in the early centuries CE — long before the medieval saints.
  • Supreme deities in NCERT: Shiva, Vishnu, Durga.
  • The Puranas both absorbed local myths and carried Puranic worship into local cults; they promised grace regardless of caste.
  • Even Buddhists and Jainas adopted bhakti beliefs (NCERT).
  • The Buddhist/Jaina path: personal effort; the bhakti path: devotion and God’s grace.

2. Bhakti in south India: the Nayanars and Alvars

In simple wordsThink of travelling singers who walk from village to village, composing a new song at every little shrine they visit — about the god who lives there, about love and longing. People memorise the songs. Centuries later, kings build great stone temples at those very spots, and scholars collect the songs into books. The singers came first; the temples and books followed.

The seventh to ninth centuries saw new religious movements led by the Nayanars (saints devoted to Shiva) and the Alvars (saints devoted to Vishnu). They came from all castes, including those considered ‘untouchable’ such as the Pulaiyar and the Panars. They were sharply critical of the Buddhists and Jainas and preached ardent love of Shiva or Vishnu as the path to salvation. They drew on the ideals of love and heroism in Sangam literature — the earliest Tamil literature, composed in the early centuries CE — and blended them with bhakti. They went from place to place composing poems in praise of the deities enshrined in the villages they visited, and set them to music. There were 63 Nayanars — potters, ‘untouchable’ workers, peasants, hunters, soldiers, Brahmanas and chiefs — best known among them Appar, Sambandar, Sundarar and Manikkavasagar; their songs are compiled in the Tevaram and the Tiruvacakam. There were 12 Alvars, of equally varied backgrounds — best known Periyalvar, his daughter Andal, Tondaradippodi Alvar and Nammalvar; their songs are compiled in the Divya Prabandham. Between the tenth and twelfth centuries the Chola and Pandya kings built elaborate temples around many shrines the saint-poets had visited, strengthening the link between bhakti and temple worship. In this period the poems were compiled and hagiographies — religious biographies — of the Alvars and Nayanars were written; historians use these texts today to write the history of the bhakti tradition.

The Tamil saint-poets side by side (NCERT box, page 63)NayanarsAlvarsDevoted toShivaVishnuHow many (tradition)6312Best knownAppar, Sambandar,Sundarar, ManikkavasagarPeriyalvar, his daughter Andal,Tondaradippodi Alvar, NammalvarSongs compiled inTevaram andTiruvacakamthe DivyaPrabandhamCame frompotters, ‘untouchable’ workers, peasants,hunters, soldiers, Brahmanas, chiefs‘equally divergent’backgroundsBothtravelled shrine to shrine; poems set to music;drew on Sangam ideals of love and heroismsharply critical of Buddhists and Jainas;ardent love of God as the path to salvationBetween the 10th and 12th centuries Chola and Pandya kings built temples at the shrines they sang of; the poems were compiled then
Nayanars and Alvars: different deities, the same path of song and devotion.
Reading the box ‘Nayanars and Alvars’ and the definition box ‘Hagiography’ (page 63)The box gives the counts (63 Nayanars, 12 Alvars), their social backgrounds, the best-known names and the song collections — all in the grid above. The definition box: hagiography is the writing of saints’ lives. The point: the saints came from every rung of society, and what we know of them comes partly from biographies written later by devotees — sources to be read with care, as lehs202 explains.
Reading the box ‘The devotee and the Lord’ — a composition of Manikkavasagar — and its question (page 63)Summarised: the poet says the Lord entered his body of flesh as though it were a golden temple, soothed and saved him, and freed him from sorrow, birth, death and illusion; addressing God as grace, purity, bliss and light, he says he has taken refuge in Him and can never be parted from Him. The question asks how the poet describes his relationship with the deity. The point: bhakti here is an intimate, personal bond — rescue, refuge and inseparable love — not a ritual transaction.
Reading Fig. 2 ‘A bronze image of Manikkavasagar’ (page 63)A slender standing bronze figure on a lotus pedestal, one hand raised as if reciting or teaching, wearing only a simple lower garment. The point: the poet-saint himself became an object of temple art, cast in the south Indian bronze tradition (kefa107) — showing how closely bhakti and temple worship came to be tied.
⤵ From wandering singers to temples, texts — and a reaction (NCERT pages 62–64)
7th–9th centuriesNayanars and Alvars sing at village shrines; songs set to music
10th–12th centuriesChola and Pandya kings build elaborate temples at those shrines
CompiledTevaram, Tiruvacakam, Divya Prabandham
Rememberedhagiographies of the saints are written
Bhakti tied to templesdevotion becomes linked with temple worship
A reactionBasavanna's Virashaivas (12th c.) reject ritual and idol worship (section 4)
A debate, not a verdict: Tamil bhakti, temples and societyNCERT stresses the saints’ varied backgrounds and the later link with royal temples. Historians read the relationship between bhakti, temples and social order differently. All entries except NCERT’s are Beyond NCERT; none is endorsed.
ReadingWhoPosition
Saints of all castes; temples came laterNCERT (this chapter)saint-poets from all castes sang at village shrines; Chola and Pandya kings later built temples there, tying bhakti to temple worship
Hymns made a sacred geographyIndira Viswanathan Peterson, Poems to Siva (1989)the Tevaram hymns, naming shrine after shrine, created a shared Tamil Shaiva community and map of holy places
Temples and the agrarian orderBurton Stein, Peasant State and Society in Medieval South India (1980)temples and bhakti helped bind Brahmanas and dominant peasant groups into the social order of the Chola period
Bhakti as an integrating ideologyR. Champakalakshmi, Religion, Tradition, and Ideology: Pre-colonial South India (2011)the bhakti of the Alvars and Nayanars, with its polemic against Buddhists and Jainas, helped draw diverse groups into a temple-centred Brahmanical and royal order
Beyond NCERT — the Tamil saints in context
  • Andal is the only woman among the twelve Alvars; Karaikkal Ammaiyar is a woman among the Nayanars.
  • Tradition credits Nathamuni (10th century) with compiling the Vaishnava hymns as the Nalayira Divya Prabandham (‘four thousand’ verses), and Nambiyandar Nambi with arranging the Shaiva hymns.
  • The Tevaram hymns are those of Appar, Sambandar and Sundarar; the Tiruvacakam is Manikkavasagar’s.
Nayanars and Alvars: exam lines
  • Nayanars = Shiva (63); Alvars = Vishnu (12) — a favourite match (Exercise 1).
  • Nayanar texts: Tevaram, Tiruvacakam; Alvar text: Divya Prabandham. Do not swap.
  • Andal is Periyalvar’s daughter.
  • Period: 7th–9th centuries; temples by Cholas and Pandyas, 10th–12th.
  • They were critical of Buddhists and Jainas, and drew on Sangam ideals of love and heroism.

3. Philosophy and bhakti: Shankara and Ramanuja

In simple wordsPicture a drop of water and the ocean. One teacher says: the drop was never really separate — it is the ocean, and the feeling of being a separate drop is an illusion; wake up to that knowledge. Another says: the drop rests in the ocean, held by it, one with it — yet still a drop, and it gets there through love and the ocean’s grace. Both are describing union; they differ on what union means.

Shankara, one of India’s most influential philosophers, was born in Kerala in the eighth century. He advocated Advaita — the oneness of the individual soul and the Supreme God, which is the Ultimate Reality. He taught that Brahman, the only Ultimate Reality, is formless and without attributes; he considered the world around us an illusion, or maya; and he preached renunciation and the path of knowledge to understand Brahman’s true nature and attain salvation. Ramanuja, born in Tamil Nadu in the eleventh century, was deeply influenced by the Alvars. For him the best means of salvation was intense devotion to Vishnu, who in His grace helps the devotee attain the bliss of union with Him. He propounded Vishishtadvaita, or qualified oneness: the soul, even when united with the Supreme God, remains distinct. Ramanuja’s doctrine greatly inspired the new strand of bhakti that later developed in north India.

Two philosophers, two answers to ‘how is the soul related to God?’ (NCERT page 64)Shankara · Advaita (8th c., Kerala)Brahmansoulis BrahmanBrahman: formless, without attributes‘Oneness’: no real difference between soul and GodThe world around us: maya (illusion)Ramanuja · Vishishtadvaita (11th c., Tamil Nadu)VishnusouldistinctVishnu: the Supreme God, full of grace‘Qualified oneness’: united, yet the soul stays distinctDeeply influenced by the AlvarsgracePath: renunciation + knowledgePath: intense devotion to VishnuRamanuja’s doctrine inspired the later bhakti of north India (NCERT) · Beyond NCERT: Madhva (13th c.) taught Dvaita —soul and God for ever separate. These are positions in Vedanta philosophy, set side by side, not ranked.
Advaita and Vishishtadvaita as schematics — positions within Vedanta, side by side.
QuestionShankara — Advaita (NCERT)Ramanuja — Vishishtadvaita (NCERT)Madhva — Dvaita (Beyond NCERT)
When and where8th century; born in Kerala11th century; born in Tamil Nadu13th century; Karnataka (Udupi)
Ultimate RealityBrahman — formless, without attributesVishnu, the Supreme God, full of graceVishnu, the Supreme God
Soul and Godone — no real differenceunited, yet the soul remains distinctfor ever distinct
The worldmaya, illusionreal (Beyond NCERT)real (Beyond NCERT)
Path to salvationrenunciation and knowledgeintense devotion; God’s gracedevotion; God’s grace
Reading the side question ‘Try and find out more about the ideas of Shankara or Ramanuja’ (page 64)An open activity. The table above is a starting point. The point: the chapter places philosophy inside the story of bhakti — Ramanuja is the bridge between the Alvars’ songs and the later north Indian saints.
Beyond NCERT — Shankara and Ramanuja
  • Shankara is traditionally associated with Kaladi in Kerala; the dates often given, c. 788–820, are debated. He wrote commentaries on the Upanishads, the Bhagavad Gita and the Brahma Sutras; tradition credits him with founding mathas in different parts of India.
  • Ramanuja is traditionally said to have been born at Sriperumbudur and to have lived at Srirangam; the traditional dates, 1017–1137, are debated.
  • A large seated statue of Ramanuja, the ‘Statue of Equality’, was unveiled near Hyderabad in 2022 — the hook for UPSC 2022’s question on his teachings.
Shankara and Ramanuja: exam lines
  • Shankara — Kerala, 8th c., Advaita, Brahman without attributes, world = maya, path of knowledge (Exercise 2a).
  • Ramanuja — Tamil Nadu, 11th c., influenced by the Alvars (Exercise 2b), Vishishtadvaita, devotion to Vishnu.
  • UPSC 2022: Ramanuja taught that the best means of salvation was devotion — word for word NCERT.
  • UPSC 1984 asked what Ramanujacharya ‘advocated’: the key is Vaishnavism, though ‘bhakti cult’ is also true of him — a flawed question; pick the key, know both.
  • Dvaita is Madhva’s, not Ramanuja’s or Shankara’s.

4. Basavanna’s Virashaivism

In simple wordsSuppose only rich people could donate a grand building to a cause they believed in. A poor man who also believes might say: ‘I cannot give a building — but I can give myself, my work, my whole life.’ And he might add: buildings crumble; a living, moving devotion lasts. That is Basavanna’s idea.

The link between Tamil bhakti and temple worship led to a reaction, best represented by the Virashaiva movement begun by Basavanna and his companions Allama Prabhu and Akkamahadevi, in Karnataka in the mid-twelfth century. The Virashaivas argued strongly for the equality of all human beings and against Brahmanical ideas about caste and the treatment of women. They were also against all forms of ritual and idol worship.

Basavanna’s answer to temple-building (NCERT box, page 65) — a schematicWhat the rich offera temple of stone for Shivabuilt by wealth; it stands still‘things standing shall fall’What a poor devotee offershead — a golden cupolabody — the shrinelegs — the pillarsthe devotee’s own living bodyoffered to the Lord of the meeting rivers‘the moving ever shall stay’Virashaivas (NCERT): equality of all; against Brahmanical ideas on caste and on the treatment of women;against all ritual and idol worship — a reaction to temple-centred bhakti in the Tamil region
Basavanna’s ‘temple’: the devotee’s own moving body against the stone temple of the rich.
Reading the box ‘Virashaiva vachanas’ and its question (page 65)Summarised: in these sayings attributed to Basavanna, the rich build temples for Shiva, and the poor speaker asks what he can do; he answers that his legs are the pillars, his body the shrine and his head a golden cupola. Addressing the ‘Lord of the meeting rivers’, he says that things standing will fall, but the moving will stay. The question asks what temple Basavanna offers to God. The point: the true temple is the devotee’s own living body and life — a challenge to temple-building, wealth and ritual, and a claim that the poor can worship as fully as the rich.
A debate, not a verdict: how to read the VirashaivasNCERT presents the movement as a reaction to temple-centred bhakti and as a movement for equality. Scholars emphasise different sides. All entries except NCERT’s are Beyond NCERT; none is endorsed, and none concerns present-day questions about the community.
ReadingWhoPosition
A reaction to temple bhaktiNCERT (this chapter)arose against the link between bhakti and temple worship; argued for equality and against caste, ritual and idol worship
‘Standing’ versus ‘moving’A.K. Ramanujan, Speaking of Siva (1973)the vachanas set the living, moving devotee against the fixed temple, ritual and inherited status — a poetry of protest in everyday Kannada
A community of fervent devoteesVelcheru Narayana Rao and Gene H. Roghair, Siva’s Warriors: The Basava Purana (1990)the Telugu hagiography of Basavanna presents the early devotees as an uncompromising community whose loyalty to Shiva overrode all social rules
Beyond NCERT — the Virashaivas
  • Basavanna served the Kalachuri king Bijjala at Kalyana. Virashaivas are also called Lingayats; devotees wear a small linga on the body.
  • The vachanas are in Kannada. ‘Lord of the meeting rivers’ translates Kudalasangama, the god to whom Basavanna addressed his sayings.
  • Akkamahadevi (Akka Mahadevi) and Allama Prabhu are among the best-known vachana composers.
Virashaivism: exam lines
  • Basavanna, Allama Prabhu, Akkamahadevi — the three NCERT names (Exercise 2c).
  • Karnataka, mid-12th century.
  • Against caste, the treatment of women, ritual and idol worship.
  • UPSC 1988: the Lingayat movement owes its origin to Basava. UPSC 1990: Basava — founder of Vira Saivism; Sankara — Advaita.
  • UPSC 2016 added that Lingayats questioned the theory of rebirth — true in standard accounts (lehs202), though NCERT Class 7 does not say it.

5. The bhakti movement in the Deccan: the saint-poets of Maharashtra

In simple wordsImagine a group of poets who refuse to become monks. They keep their shops, farms and families, sing to God in the language of the marketplace, and say that a truly holy person is one who stands beside someone in pain. For them, devotion is not an escape from ordinary life — it is how you live it.

From the thirteenth to the seventeenth centuries, Maharashtra saw many saint-poets whose songs in simple Marathi still inspire people. The most important were Dnyaneshwar (Gyaneshwar), Namdev, Eknath and Tukaram, as well as women like Sakhubai and the family of Chokhamela, who belonged to the ‘untouchable’ Mahar caste. This regional tradition focused on the Vitthala (a form of Vishnu) temple at Pandharpur, and on the idea of a personal god residing in the hearts of all people. These saint-poets rejected all ritualism, outward display of piety, and social differences based on birth. They even rejected renunciation, preferring to live with their families and earn a living like anyone else while humbly serving fellow humans in need. A new humanist idea emerged: bhakti lay in sharing others’ pain. The famous Gujarati saint Narsi Mehta said that true Vaishnavas are those who understand the pain of others.

Reading the side box on the Varkari tradition (page 65)The Vaishnava poet-saints of Maharashtra — Jnaneshwar, Namadeva, Eknath, Tukaram — were devotees of Vitthala; devotion to Vitthala gave rise to the Varkari sect, which stresses an annual pilgrimage to Pandharpur; the cult of Vitthala became a powerful and very popular mode of devotion. The point: a regional bhakti built around one temple and one shared journey — and note the spellings vary within the chapter (Dnyaneshwar/Gyaneshwar/Jnaneshwar; Namdev/Namadeva).
Reading the box ‘Questioning the social order’ — an abhang of Tukaram and one by Chokhamela’s son — and its question (page 66)Summarised: in his abhang (Marathi devotional hymn), Tukaram says that whoever identifies with the battered and beaten, holds every forsaken person close and treats a slave as his own son is a saint — indeed God in person. In the second abhang, Karmamela, Chokhamela’s son, asks the Lord why He made his people low caste and left them a lifetime of left-over food, reminds God that He has eaten in their home, and asks why he was given life at all. The question asks what ideas about the social order the two express. The point: one voice redefines holiness as compassion for the outcast; the other, from a family placed at the bottom of the caste order, questions God Himself about caste injustice — bhakti as a language of protest.
A debate, not a verdict: the sants and casteNCERT says the saint-poets rejected birth-based differences. Historians ask how far such songs changed society. All entries except NCERT’s are Beyond NCERT; none is endorsed.
ReadingWhoPosition
Rejection of birth-based differenceNCERT (this chapter)the saint-poets rejected ritualism and differences of birth; bhakti lay in sharing others’ pain
Equality before God, not a social programmeCharlotte Vaudeville, essays on the Varkari sants (collected in Myths, Saints and Legends in Medieval India, 1996)the sants proclaimed the equality of all devotees before God and the uselessness of ritual, without setting out to abolish caste in society
Songs as voices of the excludedEleanor Zelliot, studies of Chokhamela and the Mahar sants (e.g. in From Untouchable to Dalit, 1992)the abhangs of Chokhamela’s family are rare early voices from an ‘untouchable’ community, questioning caste from within the bhakti tradition
Beyond NCERT — Maharashtra and Gujarat
  • Dnyaneshwar wrote the Dnyaneshwari, a Marathi commentary on the Bhagavad Gita (late 13th century).
  • Tukaram lived in the 17th century (usually 1608–1649/50), a contemporary of Jahangir and Shah Jahan.
  • The Varkari pilgrimage (wari) to Pandharpur culminates on Ashadhi Ekadashi.
  • Narsi Mehta’s hymn on the true Vaishnava (‘Vaishnava jana to…’) was a favourite of Mahatma Gandhi.
Maharashtra’s sants: exam lines and a map error
  • Centre: Pandharpur, god Vitthala (a form of Vishnu) (Exercise 2d); sect: Varkari.
  • Names: Dnyaneshwar, Namdev, Eknath, Tukaram; women: Sakhubai; the Mahar family of Chokhamela (his son Karmamela).
  • They rejected renunciation — householders — unlike the Nathpanthis.
  • Narsi Mehta is Gujarati, not Marathi.
  • Map 1 puts Tukaram in the 16th century — he lived in the 17th. UPSC 2006: Tukaram was a contemporary of Jahangir.

6. Nathpanthis, Siddhas and Yogis

In simple wordsSome people question a custom by quoting a rival holy book. Others question it with plain logic: ‘Why should bathing in a particular river make you pure?’ The groups in this section belonged to the second kind — they argued simply, trained body and mind hard, and looked for the truth inside.

Several religious groups that emerged in this period criticised the ritual and other aspects of conventional religion and the social order, using simple, logical arguments. Among them were the Nathpanthis, Siddhacharas and Yogis. They advocated renunciation of the world. For them, the path to salvation lay in meditation on the formless Ultimate Reality and the realisation of oneness with it. To achieve this they advocated intense training of mind and body through yogasanas, breathing exercises and meditation. These groups became particularly popular among ‘low’ castes. Their criticism of conventional religion prepared the ground for devotional religion to become a popular force in northern India.

Reading Fig. 3 ‘A fireside gathering of ascetics’ (page 67)A painting of long-haired, lightly clad ascetics seated on the ground around a small fire beneath a great spreading tree, some tending the fire, one with a vessel. The point: it shows the renouncer’s life — outside the household and village, in small circles of practitioners — that the Nathpanthis, Siddhas and Yogis advocated.
Nathpanthis, Siddhas, Yogis (NCERT)Saint-poets of Maharashtra (NCERT)Sufis (NCERT)
Worldrenounce itlive in it, as householdersdisregard the world, like a lover seeking the beloved
Goaloneness with the formless Ultimate Realitya personal god in every heartunion with God
Methodyogasanas, breathing, meditationsong, service of otherszikr, sama, raqs, breath control, under a pir
Appealparticularly ‘low’ castesMarathi-speaking people of all castespeople of all faiths at khanqahs and dargahs
Beyond NCERT — the Nath tradition
  • The Nath tradition looks to Gorakhnath and Matsyendranath as early masters; its practice is often called hatha yoga.
  • The ‘Siddhas’ here are the north Indian Siddhacharas; the Tamil Siddhars (Sittars) are a separate tradition, the subject of UPSC 2016.
Nathpanthis, Siddhas and Yogis: exam lines
  • They advocated renunciation — the opposite of the Maharashtra saints.
  • Goal: oneness with the formless Ultimate Reality; means: yogasanas, breathing exercises, meditation (Exercise 3).
  • Popular among ‘low’ castes; they prepared the ground for bhakti in north India.
  • Both they and the Sufis believed the heart can be trained (NCERT page 68).

7. Islam and Sufism

In simple wordsThink of an apprentice who learns a craft from a master, who learnt it from his master, and so on — each workshop with its own style, and all of them tracing their skill back through a chain of teachers. Sufis learnt the ‘craft’ of loving God this way, and the masters’ homes and tombs became places where anyone could come for comfort, music or blessing.

The sants had much in common with the Sufis — so much that it is believed they adopted many of each other’s ideas. Sufis were Muslim mystics. They rejected outward religiosity and emphasised love and devotion to God and compassion towards all fellow human beings. Islam propagated strict monotheism, or submission to one God. In the eighth and ninth centuries, religious scholars developed the Holy Law (Shariat) and the theology of Islam. As the religion became more complex, Sufis gave it an additional dimension favouring a more personal devotion to God; they often rejected the elaborate rituals and codes of behaviour demanded by Muslim religious scholars, and sought union with God much as a lover seeks the beloved, disregarding the world. Like the saint-poets, Sufis composed poems, and a rich prose literature of anecdotes and fables grew around them. Among the great Sufis of Central Asia NCERT names Ghazzali, Rumi and Sadi. Like the Nathpanthis, Siddhas and Yogis, the Sufis believed the heart can be trained to see the world differently. They developed methods of training using zikr (chanting a name or sacred formula), contemplation, sama (singing), raqs (dancing), discussion of parables, breath control and so on, under the guidance of a master or pir. So emerged the silsilas — spiritual genealogies of Sufi teachers, each following a slightly different method (tariqa) of instruction and ritual practice.

Many Sufis from Central Asia settled in Hindustan from the eleventh century; this grew with the Delhi Sultanate, when major Sufi centres developed across the subcontinent. The Chishti silsila was among the most influential, with a long line of teachers: Khwaja Muinuddin Chishti of Ajmer, Qutbuddin Bakhtiar Kaki of Delhi, Baba Farid of Punjab, Khwaja Nizamuddin Auliya of Delhi and Bandanawaz Gisudaraz of Gulbarga. Sufi masters held assemblies in their khanqahs, or hospices. Devotees of all descriptions — royalty, nobility and ordinary people — came to discuss spiritual matters, seek the saints’ blessings for worldly problems, or attend the music and dance sessions. People often credited Sufi masters with miraculous powers to relieve illness and trouble. The tomb or dargah of a Sufi saint became a place of pilgrimage to which thousands of people of all faiths thronged.

How a Sufi was trained, and how a silsila grew (NCERT pages 67–69)Pir (master)guides the discipleZikrchanting a name orsacred formulaSamasingingRaqsdancingContemplationand discussionof parablesBreath controltraining theheart and mindEach master’s slightly different method = a tariqa · the chain of masters and pupils = a silsilaMuinuddinChishtiAjmerQutbuddinBakhtiar KakiDelhiBaba FaridPunjabNizamuddinAuliyaDelhiNasiruddinChiragh-i-Dehli*DelhiBandanawazGisudarazGulbargaThe Chishti silsila — names and places as NCERT gives them; each master taught the next (Beyond NCERT)* Not named in NCERT: Nizamuddin Auliya’s successor, who taught Gisudaraz
Training under a pir, and the Chishti silsila as a chain of masters.
⤵ How a Sufi silsila took shape (NCERT pages 67–69)
A seekerseeks union with God, as a lover seeks the beloved
A master (pir)trains the heart through zikr, contemplation, sama, raqs, parables, breath control
A method (tariqa)each master teaches in a slightly different way
A chain (silsila)pupils become masters; the line of teachers grows
Khanqahthe hospice where the master holds assemblies
Dargahthe master's tomb, a pilgrimage place for all faiths
Reading Fig. 4 ‘Mystics in ecstasy’ (page 68)A crowded court painting: in an open courtyard before a pillared building, a ring of turbaned onlookers watches men whirling, swaying and collapsing in rapture, while musicians play frame drums. The point: sama and raqs — music and dance — as Sufi paths to an ecstatic experience of God, in a public, communal setting.
Reading the side box on the Rishi order of Kashmir (page 68)In Kashmir the Rishi order of Sufism flourished in the 15th and 16th centuries; it was established by Sheikh Nuruddin Wali, also known as Nund Rishi, deeply influenced the life of the people, and many shrines to Rishi saints stand across Kashmir. The point: Sufism took regional forms rooted in local language and life — a homegrown order, not only orders brought from Central Asia.
Reading Fig. 5 ‘A page from a manuscript of the Quran, Deccan, late fifteenth century’, the definition box ‘Hospice’ and Fig. 6 ‘Devotees of all backgrounds visit Sufi shrines’ (page 69)Fig. 5: a page of Arabic calligraphy in gold and dark ink on a decorated ground, opening with the invocation that begins chapters of the Quran. The definition box: a hospice is a house of rest for travellers, especially one kept by a religious order. Fig. 6: a black-and-white photograph of veiled women at the ornate carved doorway of a shrine, a man inside. The point: the scripture at the centre of Islam, and the shrine at the centre of popular Sufi devotion — open, as the caption says, to devotees of all backgrounds.
Reading the box ‘Finding the Lord’ — an excerpt from Jalaluddin Rumi (page 70)NCERT introduces Rumi as a great thirteenth-century Sufi poet ‘from Iran’ who wrote in Persian. Summarised: the poet searched for God on the Cross of the Christians, in Hindu temples, on the heights and in the lowlands, at the Kaaba in Mecca, and through the philosopher Avicenna — and found Him in none of them, nor within the philosopher’s reach; at last he looked into his own heart and saw Him there, and nowhere else. The point: the Sufi search turns inward — not against any faith, but beyond outward places and reasoning to the heart.
A debate, not a verdict: Sufis, rulers and societyNCERT stresses the khanqah open to all and the dargah visited by people of all faiths. Historians debate how Sufis related to rulers and how far they shaped society. All entries except NCERT’s are Beyond NCERT; none is endorsed, and none is a statement about any community today.
ReadingWhoPosition
Love, compassion, open khanqahsNCERT (this chapter)Sufis favoured personal devotion over elaborate ritual; khanqahs and dargahs drew royalty, nobles and ordinary people of all faiths
Chishtis kept apart from the courtK.A. Nizami, Some Aspects of Religion and Politics in India during the Thirteenth Century (1961)the early Chishtis avoided the court and state service, keeping their spiritual authority independent
Rival claims to authoritySimon Digby, ‘The Sufi Shaykh and the Sultan’ (1986)Sufi masters claimed a spiritual sovereignty over territory that could rival, and sometimes clash with, the sultan’s
Part of a shared cultureS.A.A. Rizvi, A History of Sufism in India (1978, 1983)Sufis adopted local languages, music and customs and contributed to a composite religious culture
Shrines on an agrarian frontierRichard M. Eaton, The Rise of Islam and the Bengal Frontier, 1204–1760 (1993)in Bengal, holy men associated with forest clearing and new settlement became the centres of gradual religious change over centuries, rather than any single cause
Beyond NCERT — Sufi orders and names
  • The Chishti order takes its name from Chisht, near Herat in present-day Afghanistan — not from a place in India (UPSC 1997). Other orders in the subcontinent included the Suhrawardi, Qadiri, Naqshbandi and Firdausi.
  • Muinuddin Chishti’s death anniversary, the urs, is held every year at his dargah in Ajmer (UPSC 1992).
  • Baba Farid is also known as Shaikh Farid or Fariduddin Ganj-i-Shakar; verses in his name are in the Guru Granth Sahib.
  • Rumi was born at Balkh and lived and died at Konya in Anatolia; his best-known work is the Masnavi. Ghazzali came from Tus in Khorasan; Sadi of Shiraz wrote the Gulistan and Bustan.
  • Nund Rishi’s shrine is at Charar-e-Sharif; he is linked in Kashmiri tradition with the mystic woman poet Lal Ded.
Sufism: exam lines and an NCERT inconsistency
  • Sufis = Muslim mystics (UPSC 1979: Sufism developed within Islam).
  • Practices: zikr (chant), sama (singing), raqs (dancing), contemplation, parables, breath control, under a pir — UPSC 2012 keyed meditation and breath control, severe ascetic exercises and ecstatic holy songs all as Sufi practices.
  • Silsila = genealogy of teachers; tariqa = method; khanqah = hospice; dargah = tomb.
  • Chishti places: Muinuddin — Ajmer; Qutbuddin Bakhtiar Kaki — Delhi; Baba Farid — Punjab; Nizamuddin Auliya — Delhi; Gisudaraz — Gulbarga.
  • Rishi order: Kashmir, 15th–16th c., Nund Rishi (Sheikh Nuruddin Wali).
  • NCERT inconsistency: page 68 lists Rumi among ‘Sufis of Central Asia’; page 70 calls him ‘from Iran’. Safe line: ‘Rumi, a thirteenth-century Persian-language Sufi poet, born at Balkh, who lived at Konya’.

8. New religious developments in north India

In simple wordsThink of folk songs your grandmother sings — no one remembers who first wrote them, and every singer has added a line of her own. The saints of this age composed in the everyday languages of their regions and set their words to music. Weavers, farmers and women carried those songs from village to village for centuries, until the songs belonged as much to the singers as to the saints.

After the thirteenth century a new wave of bhakti swept north India. It was an age when Islam, Brahmanical Hinduism, Sufism, various strands of bhakti and the Nathpanths, Siddhas and Yogis influenced one another. New kingdoms were emerging (gess102–gess104), and people were taking up new professions and roles. Such people — especially craftspersons, peasants, traders and labourers — thronged to hear these new saints and spread their ideas. Some, like Kabir and Baba Guru Nanak, rejected all orthodox religions. Others, like Tulsidas and Surdas, accepted existing beliefs and practices but wanted to make them accessible to all. Tulsidas conceived of God as Rama; his Ramcharitmanas, in Awadhi (a language of eastern Uttar Pradesh), is important both as devotion and as literature. Surdas was an ardent devotee of Krishna; his compositions are compiled in the Sursagara, Surasaravali and Sahitya Lahari. A contemporary was Shankaradeva of Assam (late fifteenth century), who emphasised devotion to Vishnu, composed poems and plays in Assamese, and began setting up namghars — houses of recitation and prayer, a practice that continues. The tradition also included Dadu Dayal, Ravidas and Mirabai. Mirabai, a Rajput princess married into the royal family of Mewar in the sixteenth century, became a disciple of Ravidas, a saint from a caste considered ‘untouchable’; devoted to Krishna, she composed countless bhajans that openly challenged the norms of the ‘upper’ castes and became popular in Rajasthan and Gujarat. Most of these saints composed in regional languages, in works that could be sung. The songs were handed down orally, usually by the poorest communities and women, who often added their own experiences — so the songs we have are as much the creation of generations of singers as of the saints, and are part of our living popular culture.

Two strands among the new saints of north India (NCERT page 70)Rejected all orthodox religionsAccepted existing beliefs, opened them to allWho (NCERT)Kabir; Baba Guru NanakTulsidas; SurdasGodKabir: a formless Supreme God;Nanak: worship of one GodTulsidas: God as Rama;Surdas: devotion to KrishnaWay of expressionKabir: spoken Hindi, sometimes cryptic;Nanak: hymns sung at KartarpurRamcharitmanas in Awadhi;Sursagara and other collectionsFollowersKabir: Hindus and Muslims; Nanak: allcreeds, castes, genders eat togetherdevotion made accessibleto allShared groundbhakti as the path; criticismof caste and outward ritualregional languages;songs that could be sungLater scholars call these ‘nirguna’ and ‘saguna’ bhakti — their terms, not NCERT’s, and a division some historians question
NCERT’s two strands among the north Indian saints, with a note on the later labels.
⤵ How the saints’ songs reached us (NCERT page 72)
A saint composesin a regional language, in a form that can be sung
People singcraftspersons, peasants, traders, labourers throng to hear
Oral handing downthe poorest communities and women carry the songs, generation to generation
Songs changesingers add their own experiences
Living culturethe songs belong to the saints and to generations of singers alike
Reading Map 1 ‘Major bhakti saints and the regions associated with them’ (page 71) — as a tableNCERT’s map writes each saint’s name and century in the region associated with him or her. It is not redrawn here; its 22 labels are listed below, grouped by the region named in the text or where the label sits, with notes. The point: bhakti was not one region’s story — saint-poets appear from the Tamil south to Punjab and Assam, and from the 9th century to the 17th. Two of the map’s dates are doubtful (marked sic).
RegionSaint (as labelled)Century on Map 1Note
Tamil NaduManikkavasagar9th C.
Tamil NaduNammalvar9th C.
Tamil NaduRamanuja11th–12th C.Text: born in Tamil Nadu in the eleventh century
KarnatakaBasavanna12th C.Text: Virashaiva movement from the mid-twelfth century
KarnatakaPurandaradasa15th–16th C.
MaharashtraJnaneshwar13th C.
MaharashtraNamdev13th–14th C.
MaharashtraEknath16th C.
MaharashtraTukaram16th C. (sic)Map error: he lived in the 17th century (usually 1608–1649/50) — UPSC 2006 keyed him as Jahangir’s contemporary
Placed in Andhra PradeshRamdas17th C.The map does not say which Ramdas; its placement suggests the Telugu poet Bhadrachala Ramadasu rather than Samarth Ramdas of Maharashtra — both 17th century; left unidentified
GujaratNarsi Mehta15th C.
RajasthanMirabai16th C.
RajasthanDadu16th–17th C.
Uttar PradeshKabir15th–16th C.
Uttar PradeshRaidas (Ravidas)15th C.Spelt ‘Ravidas’ in the text; Mirabai’s guru in NCERT’s account
Uttar PradeshRamananda16th C. (sic)Map date doubtful: tradition makes Kabir his disciple, and most references place him in the 14th–15th century; dates uncertain
Uttar PradeshVallabhacharya15th–16th C.
Uttar PradeshSurdas16th C.
Uttar PradeshTulsidas16th–17th C.
BengalChaitanyadeva15th–16th C.Fig. 7 caption: ‘sixteenth-century’; Beyond NCERT: 1486–1534
AssamShankaradeva15th–16th C.Text: ‘late fifteenth century’; Beyond NCERT: usually 1449–1568
PunjabGuru Nanak15th–16th C.Text: 1469–1539
Reading Fig. 7 — Chaitanyadeva’s followers in ecstatic song and dance (page 70)The caption: Chaitanyadeva, a sixteenth-century bhakti saint from Bengal, preached selfless devotion to Krishna-Radha; the picture shows his followers dancing and singing ecstatically, arms raised, one playing a drum. The point: devotion expressed through collective singing and dancing (kirtan) — a public, joyful form of bhakti.
Reading the side box on Shankaradeva (page 71)The essence of Shankaradeva’s devotion came to be known as Eka Sarana Nama Dharma (supreme surrender to the One); his teachings were based on the Bhagavad Gita and the Bhagavata Purana; he encouraged satras, monasteries for transmitting knowledge; his major compositions included the Kirtana-ghosha. The point: in Assam, bhakti built lasting institutions — satras and namghars — still active today.
Reading the side box on bhakti and music (page 72)An important contribution of the bhakti saints was to music. NCERT notes that Jayadeva of Bengal composed the Gita Govinda in Sanskrit, each song in a particular raga and tala; and that the saints’ great impact on music was the use of the bhajan, kirtan and abhang — songs of emotional experience with tremendous appeal to ordinary people. The point: bhakti reshaped music as well as religion (gess107 takes regional music further).
Reading the box ‘Beyond the Rana’s palace’ — a song of Mirabai — Fig. 8 ‘Mirabai’ and the question (page 72)Summarised: Mirabai tells the Rana she has left behind the ‘norms of shame’ and false decorum of princely life and left his town, yet he keeps up his enmity; he gave her a cup of poison and she drank it laughing; she will not be destroyed by him. Fig. 8: a painting of a woman with long dark hair in a red skirt, holding lamps, with her name written in Devanagari below. The question asks why she left the Rana’s palace. The point: devotion to Krishna led Mirabai to defy the expectations placed on a royal woman — and her songs of defiance are why ordinary people kept her memory alive.
A debate, not a verdict: Mirabai, and the ‘bhakti movement’ as a wholeNCERT presents Mirabai as Ravidas’s disciple whose songs challenged ‘upper’-caste norms, and speaks of a ‘new wave of the bhakti movement’. Scholars read both differently. All entries except NCERT’s are Beyond NCERT; none is endorsed.
ReadingWhoPosition
A princess who defied the normsNCERT (this chapter)a Rajput princess, disciple of Ravidas, whose bhajans challenged ‘upper’-caste norms and became popular in Rajasthan and Gujarat
Memory kept by the common peopleParita Mukta, Upholding the Common Life: The Community of Mirabai (1994)Mira’s songs were preserved by labouring and low-caste communities of Rajasthan and Gujarat as a voice against the Rajput feudal order
Many Miras in the songsJohn Stratton Hawley, Three Bhakti Voices (2005)very few of the songs in Mira’s name can be traced to her own time; most were composed by later singers in her voice
A ‘movement’ built laterJohn Stratton Hawley, A Storm of Songs (2015)the idea of one bhakti movement travelling from south to north took shape in the late nineteenth and twentieth centuries
Distinct traditions, not one waveKrishna Sharma (1987)regional devotional traditions were many and distinct; the single-movement frame and the saguna–nirguna split are modern
Beyond NCERT — the saints of the 15th–17th centuries
  • Chaitanya (1486–1534) was from Navadvipa in Bengal; his followers are known as Gaudiya Vaishnavas, and public sankirtan was central to his practice (UPSC 1988).
  • Shankaradeva (usually 1449–1568) also wrote one-act plays (Ankiya Nat); the Sattriya dance of the satras was recognised as a classical dance by the Sangeet Natak Akademi in 2000 (gess107).
  • Mirabai is usually said to have married Bhoj Raj, son of Rana Sanga of Mewar.
  • Surdas is usually linked with Braj Bhasha; the Sursagar grew over centuries, and scholars doubt that the Sahitya Lahari and Sursaravali are his.
  • The Gita Govinda is a 12th-century work; Odisha also claims Jayadeva, so ‘of Bengal’ is disputed.
North India’s saints: exam lines and NCERT points to check
  • Two strands: Kabir and Nanak rejected all orthodox religions; Tulsidas and Surdas accepted existing beliefs but opened them to all.
  • Tulsidas — Rama — Ramcharitmanas — Awadhi; Surdas — Krishna — Sursagara.
  • Shankaradeva — Assam — Vishnu — namghar, satra, Kirtana-ghosha, Eka Sarana Nama Dharma (Exercise 1: Shankaradeva — namghar).
  • Chaitanyadeva — Bengal — Krishna-Radha — ecstatic kirtan (UPSC 1979, 1988).
  • Mirabai — Rajput princess married into Mewar, 16th c.; Krishna; bhajans; NCERT says disciple of Ravidas — a tradition whose chronology scholars debate.
  • Jayadeva: Gita Govinda in Sanskrit, ragas and talas — ‘of Bengal’ in NCERT, claimed also by Odisha.
  • Map 1 puts Ramananda in the 16th century, after Kabir — yet tradition makes Kabir his disciple; most references place him in the 14th–15th century.

9. A closer look: Kabir

In simple wordsImagine a weaver at his loom who sings sharp, funny, puzzling verses while he works — teasing the priest for his fasts and the qazi for his, asking both why they look for God in the east or the west when God lives in the heart. His neighbours, whatever their religion, remember the verses and pass them on.

Kabir, who probably lived in the fifteenth–sixteenth centuries, was one of the most influential saints. He was brought up in a family of Muslim julahas, or weavers, in or near Benares (Varanasi). We have little reliable information about his life; we know his ideas from a vast collection of verses called sakhis and pads, said to be his and sung by wandering bhajan singers. Some were later collected in the Guru Granth Sahib, Panch Vani and Bijak. His teachings rested on a complete — indeed vehement — rejection of the major religious traditions: he openly ridiculed all forms of external worship in both Brahmanical Hinduism and Islam, the pre-eminence of the priestly classes, and the caste system. His poetry was in a form of spoken Hindi widely understood by ordinary people; he sometimes used cryptic language that is hard to follow. Kabir believed in a formless Supreme God and preached that the only path to salvation was bhakti. He drew followers from among both Hindus and Muslims.

Reading the box ‘In search of the True Lord’ — a composition of Kabir — and Fig. 9 ‘Kabir working on a loom’ (page 73)Summarised: Kabir calls on ‘Allah-Ram’, present in all living beings, to have mercy; asks why people bump their heads on the ground or bathe their bodies, and calls out those who kill yet call themselves humble while hiding their vices; asks why the Brahmana keeps the ekadasi fast and the Qazi keeps Ramzan, setting aside the other months; and says that though Hari is said to live in the East and Allah in the West, he dwells in the heart — ‘Rahim-Ram’. Fig. 9: a painting of Kabir at a loom under a tree beside a thatched hut, a companion seated nearby. The question asks how his ideas compare with Basavanna’s and Rumi’s (diagram below). The point: Kabir uses the names of God from both traditions together, mocks outward observance in both, and places God within — and the picture reminds us he was a working weaver.
Kabir, Basavanna and Rumi compared (NCERT’s question, page 73)KabirBasavannaRumiWhere is God?in your heart —‘Rahim-Ram’ in all beingsthe devotee’s bodyis the shrinein my heart —in no other placeOutward religionmocks bowing, bathing,fasts by Brahmana and Qazithe rich build stonetemples; he does notnot on the Cross, in temples,at the KaabaSocial edgeexposes the vicesof the ‘humble’equality; againstcaste (Virashaivas)not explicit inthe excerptLanguage, timespoken Hindi;15th–16th c.Kannada vachanas;12th c.Persian;13th c.Similar: God sought within, not in outward rites · Different: Kabir and Basavanna add social criticism; Rumi’s excerpt does not
Kabir, Basavanna and Rumi on where God is to be found — NCERT’s own comparison question.
A debate, not a verdict: what shaped Kabir’s thought?NCERT notes that sants and Sufis are believed to have adopted each other’s ideas, and that Kabir drew followers from Hindus and Muslims. Scholars weigh the influences differently. All entries except NCERT’s are Beyond NCERT; none is endorsed.
ReadingWhoPosition
Rejecting both, drawing from bothNCERT (this chapter)Kabir rejected the major religious traditions and their outward worship; he drew followers from both Hindus and Muslims
A strong Islamic and Sufi influenceTara Chand, Influence of Islam on Indian Culture (1922)medieval sants such as Kabir show the deep influence of Islamic monotheism and Sufi ideas
Rooted mainly in Nath yoga and Vaishnava bhaktiCharlotte Vaudeville, Kabir (1974)Kabir’s ideas draw mainly on the Nath-yogi tradition and Vaishnava devotion, with some Sufi colouring
A voice of the labouring castesDavid N. Lorenzen, Praises to a Formless God (1996)songs to a formless God gave weavers, artisans and lower castes a language of dissent against caste and priestly authority
Beyond NCERT — Kabir’s collections
  • The Bijak is the scripture of the Kabirpanth, the community of Kabir’s followers (UPSC 2014: the Bijak is not Dadu Dayal’s).
  • The Panch Vani is a collection kept by the Dadupanth of Rajasthan; another collection is the Kabir Granthavali.
  • His cryptic ‘upside-down’ verses are called ulatbansi; his language is often described as a mixed ‘sant bhasha’.
  • Tradition makes Kabir a disciple of Ramananda, but this is debated.
Kabir: exam lines
  • Brought up among Muslim julahas (weavers), near Benares; ‘probably 15th–16th c.’ — little reliable information.
  • Verses: sakhis and pads; collected in the Guru Granth Sahib, Panch Vani, Bijak.
  • Formless Supreme God; salvation through bhakti; ridiculed external worship of both traditions, priestly pre-eminence and caste (Exercise 4).
  • Language: spoken Hindi, sometimes cryptic.
  • UPSC 2014: Bijak ≠ Dadu Dayal; UPSC 2001: Kabir — weaver.

10. A closer look: Baba Guru Nanak and the Sikh movement

In simple wordsPicture a teacher who says: you do not need to leave home or become a hermit to find God. Work honestly, share what you earn, remember God — and sit down to eat with everyone, whatever their caste. When such a community grows, builds its own centre, keeps its own funds and runs its own affairs, rulers begin to take notice. That is part of the story of the Sikhs.

We know more about Baba Guru Nanak (1469–1539) than about Kabir. Born at Talwandi (Nankana Sahib, in Pakistan), he travelled widely before setting up a centre at Kartarpur (Dera Baba Nanak on the river Ravi). There a regular worship of singing his own hymns was established. Irrespective of former creed, caste or gender, his followers ate together in the common kitchen (langar). The sacred space he created was called dharmsal; it is now known as the gurdwara. Before his death in 1539 he appointed a follower, Lehna, as his successor; Lehna came to be known as Guru Angad, signifying that he was part of Baba Guru Nanak himself. Guru Angad compiled Baba Guru Nanak’s compositions and added his own in a new script, Gurmukhi. The three successors of Guru Angad also wrote under the name ‘Nanak’, and all their compositions were compiled by Guru Arjan in 1604. To this were added the writings of Shaikh Farid, Sant Kabir, Bhagat Namdev and Guru Tegh Bahadur; in 1706 the compilation was authenticated by Guru Tegh Bahadur’s son and successor, Guru Gobind Singh. It is now the Guru Granth Sahib, the holy scripture of the Sikhs.

Baba Guru Nanak’s followers grew through the sixteenth century under his successors. They came from many castes, but traders, agriculturists, artisans and craftsmen predominated — perhaps because he insisted that followers be householders in productive, useful occupations, and contribute to the general funds of the community. By the early seventeenth century the town of Ramdaspur (Amritsar) had grown around the central gurdwara, the Harmandar Sahib (Golden Temple). It was virtually self-governing, and modern historians call the early-seventeenth-century Sikh community ‘a state within the state’. The Mughal emperor Jahangir saw them as a potential threat and ordered the execution of Guru Arjan in 1606. The Sikh movement became politicised in the seventeenth century, culminating in the institution of the Khalsa by Guru Gobind Singh in 1699; the community, the Khalsa Panth, became a political entity. NCERT stresses that the changing situation of the sixteenth and seventeenth centuries shaped this, but that Baba Guru Nanak’s ideas mattered from the start. He emphasised the worship of one God; insisted that caste, creed or gender were irrelevant to liberation; and saw liberation not as inert bliss but as an active life with a strong sense of social commitment. He used the terms nam, dan and isnan — right worship, welfare of others and purity of conduct — now remembered as nam-japna, kirt-karna and vand-chhakna: right belief and worship, honest living, and helping others. His idea of equality thus had social and political implications, which may partly explain why his followers’ history differs from that of the followers of Kabir, Ravidas and Dadu, whose ideas were very similar.

How the Guru Granth Sahib took shape (NCERT pages 74–75) — layers added over timeBaba Guru Nanak’s own hymnssung at Kartarpur; Guru Angad compiles themGuru Angad adds his own hymnswritten in a new script: GurmukhiThree successors write as ‘Nanak’; Guru Arjan compiles all1604 compilationWritings of Shaikh Farid, Sant Kabir, Bhagat Namdev addedvoices from beyond the line of GurusGuru Tegh Bahadur’s hymns addedborn 1621, so after 1604 (Beyond NCERT)Guru Gobind Singh authenticates the compilationnow the Guru Granth Sahib, scripture of the SikhsRead upward: each layer rests on the one below · 1604 → 1706 = 102 years
The Guru Granth Sahib as layers: each Guru’s and saint’s words added on, authenticated in 1706.
⤵ From Kartarpur to the Khalsa Panth (NCERT pages 74–76)
Kartarpurhymn-singing, langar for all, the dharmsal; followers as householders
SuccessionLehna becomes Guru Angad (before 1539); Gurmukhi script
Growthtraders, agriculturists, artisans; common funds; Ramdaspur around the Harmandar Sahib
1604Guru Arjan compiles the Gurus' hymns with those of other saints
1606Jahangir orders Guru Arjan's execution
1699Guru Gobind Singh institutes the Khalsa; the Khalsa Panth a political entity
1706the compilation authenticated: the Guru Granth Sahib
Reading Fig. 10 ‘Baba Guru Nanak as a young man, in discussion with holy men’ and Fig. 11 ‘An early manuscript of the Guru Granth Sahib’ (pages 74–75)Fig. 10: a painting of Baba Guru Nanak seated on a patterned carpet, an attendant waving a whisk behind him, as a row of ascetics sits before him in conversation, with trees and a domed building beyond. Fig. 11: an illuminated manuscript page of Gurmukhi script in a decorated border. The point: Nanak as a teacher in dialogue with the holy men of his day — and the written scripture in Gurmukhi that preserved the Gurus’ words.
A debate, not a verdict: why did the Sikh community become a political entity?NCERT gives two causes — the changing historical situation and Baba Guru Nanak’s socially committed idea of equality — and quotes modern historians’ phrase ‘a state within the state’. Historians weigh the causes differently. All entries except NCERT’s are Beyond NCERT; none is endorsed, and none is a comment on any present-day question.
ReadingWhoPosition
Ideas and circumstances togetherNCERT (this chapter)the changing situation of the 16th–17th centuries, and Guru Nanak’s idea of equality with social and political implications, shaped the movement
A potential threatJahangir’s memoirs, as historians read them (e.g. Satish Chandra, Medieval India)Jahangir’s own account links his order against Guru Arjan to the Guru’s meeting with the rebel prince Khusrau in 1606
Continuity from Guru NanakJ.S. Grewal, The Sikhs of the Punjab (1990)the panth’s institutions and Guru Nanak’s socially engaged teaching laid foundations that the later Gurus built on
Social composition matteredW.H. McLeod, The Evolution of the Sikh Community (1976)the entry of many rural followers and the pressures of the 17th century shaped the community’s growing militancy
Beyond NCERT — the Gurus and places
  • The ten Gurus: Nanak, Angad, Amar Das, Ram Das, Arjan, Hargobind, Har Rai, Har Krishan, Tegh Bahadur, Gobind Singh. Guru Arjan succeeded Guru Ram Das (UPSC 2004).
  • Guru Ram Das is credited with founding Ramdaspur (Amritsar); Guru Gobind Singh died at Nanded in 1708, after which the scripture itself was declared the Guru (UPSC 1992).
  • Guru Tegh Bahadur was born in 1621, so his hymns were added after 1604 — in the 1706 recension.
  • The 1604 compilation is often called the Adi Granth.
Baba Guru Nanak and the Sikhs: exam lines and answer-key notes
  • 1469–1539; born at Talwandi (Nankana Sahib); centre at Kartarpur (Dera Baba Nanak, on the Ravi); langar; dharmsal → gurdwara.
  • Gurmukhi — Guru Angad (NCERT). UPSC 2004 keyed ‘Guru Arjan Dev gave the Sikhs Gurmukhi’ as correct (option b, statements 2 and 3) — a flawed question: by NCERT only statement 2 is right, and no option offers ‘2 only’. Know Angad for any new question.
  • 1604 Guru Arjan compiles · 1606 his execution (Jahangir) · 1699 Khalsa · 1706 authenticated by Guru Gobind Singh. NCERT’s list of additions includes Guru Tegh Bahadur, but he was born in 1621 — his hymns came later.
  • Nam, dan, isnan = right worship, welfare of others, purity of conduct; remembered as nam-japna, kirt-karna, vand-chhakna (Exercise 7; GS4 2023).
  • UPSC 1982: he preached that ‘God is one’. UPSC 2013: of Dadu, Nanak and Tyagaraja, only Nanak was preaching when the Lodis fell (1526). UPSC 1992: the key pairs Dera Baba Nanak with Guru Amar Das by elimination, though NCERT links the place to Guru Nanak — a flawed question.

NCERT’s side questions and Activities — short answers

The chapter’s question boxes, in page order, and ‘Imagine’.

Page 62: You can observe this process of local myths and legends receiving wider acceptance even today. Can you find some examples around you?
Look for a village or neighbourhood deity now worshipped as a form of Shiva, Vishnu or the Goddess; a local festival that has spread to other regions through migrants, television or pilgrimage; or a regional saint or folk hero whose story now appears in widely sold books and films. The pattern is NCERT’s: local stories join a wider tradition, and wider forms of worship enter local practice.
Page 63 (The devotee and the Lord): How does the poet describe his relationship with the deity?
As an intimate, personal bond: the Lord enters his body as if it were a golden temple, soothes and saves him, frees him from sorrow, birth, death and illusion; the poet takes refuge in Him and says he can never be parted from Him. It is love and dependence, not ritual exchange.
Page 64: Try and find out more about the ideas of Shankara or Ramanuja.
Use the section 3 table. Shankara (8th c., Kerala): Advaita; Brahman formless and without attributes; world as maya; renunciation and knowledge. Ramanuja (11th c., Tamil Nadu): Vishishtadvaita; soul united with God yet distinct; intense devotion to Vishnu and His grace; influenced by the Alvars; inspired later north Indian bhakti.
Page 65 (Virashaiva vachanas): What is the temple that Basavanna is offering to God?
His own body: his legs are the pillars, his body the shrine and his head a golden cupola. The rich can build stone temples; the poor devotee offers his whole living self — and what ‘moves’ (the living devotee) lasts, while what ‘stands’ (the building) will fall.
Page 66 (Questioning the social order): Discuss the ideas about the social order expressed in these compositions.
Tukaram: holiness lies in identifying with the battered and beaten, holding the forsaken close and treating a slave as one’s own son — such a person is God in person; status by birth counts for nothing. Karmamela: speaking from the Mahar community, he asks God why He made them low caste, condemned to left-over food, though God has eaten in their home — a direct questioning of caste injustice, even of God. Together: devotion judged by compassion and equality, not birth.
Page 72 (Beyond the Rana’s palace): Why do you think Mirabai left the Rana’s palace?
Because her devotion to Krishna clashed with the ‘norms of shame’ and decorum expected of a royal woman; the Rana’s family opposed her — the song speaks of enmity and a cup of poison — and she chose the freedom to worship, sing and keep company with devotees of all castes (her guru Ravidas was from a caste considered ‘untouchable’) over palace life.
Page 73 (In search of the True Lord): In what ways are the ideas in this poem similar to or different from those of Basavanna and Jalaluddin Rumi?
Similar: all three place God within — in the heart or the living body — not in outward places or rites (Kabir’s bowing, bathing and fasts; Basavanna’s stone temples; Rumi’s Cross, temples and Kaaba). Different: Kabir names God with both Hindu and Muslim names and criticises both sets of practices and the hypocrisy of the ‘humble’; Basavanna’s movement adds an explicit attack on caste; Rumi’s excerpt is a personal search with no social critique, and it includes reasoning (Avicenna) among the places God is not found. See the comparison grid in section 9.
Imagine (page 76): You are attending a meeting where a saint is discussing the caste system. Relate the conversation.
Points to build in: the setting (a khanqah, a Varkari gathering, Kartarpur’s langar); listeners of many castes sitting together; the saint asking whether God made some people pure and others impure; examples from the chapter — Basavanna’s equality, Chokhamela’s son’s question, Kabir’s mockery of priestly pride, Nanak’s shared kitchen; a doubter raising custom and the saint answering with devotion and compassion; ending with a shared song or meal. Keep it respectful to every tradition.

NCERT exercise — answer outlines

‘Let’s recall’ (1–4), ‘Let’s understand’ (5–7), ‘Let’s discuss’ (8–9) and ‘Let’s do’ (10–12), pages 76–78.

1. Match the following: The Buddha, Shankaradeva, Nizamuddin Auliya, Nayanars, Alvars — with namghar, worship of Vishnu, questioned social differences, Sufi saint, worship of Shiva.
The Buddha — questioned social differences; Shankaradeva — namghar; Nizamuddin Auliya — Sufi saint; Nayanars — worship of Shiva; Alvars — worship of Vishnu.
2(a). Shankara was an advocate of ______.
Advaita.
2(b). Ramanuja was influenced by the ______.
Alvars.
2(c). ______, ______ and ______ were advocates of Virashaivism.
Basavanna, Allama Prabhu and Akkamahadevi.
2(d). ______ was an important centre of the Bhakti tradition in Maharashtra.
Pandharpur (the Vitthala temple).
3. Describe the beliefs and practices of the Nathpanthis, Siddhas and Yogis.
Beliefs: they criticised ritual and other aspects of conventional religion and the social order with simple, logical arguments; they advocated renunciation of the world; salvation lay in meditation on the formless Ultimate Reality and realising oneness with it. Practices: intense training of mind and body through yogasanas, breathing exercises and meditation. They were popular among ‘low’ castes, and their criticism prepared the ground for devotional religion in north India.
4. What were the major ideas expressed by Kabir? How did he express these?
Ideas: a formless Supreme God; salvation only through bhakti; vehement rejection of the major religious traditions — ridicule of external worship in both Brahmanical Hinduism and Islam (fasts, ritual bathing, prostration), of the pre-eminence of priests and of the caste system; God dwells in the heart (‘Rahim-Ram’). Expression: sakhis and pads in spoken Hindi understood by ordinary people, sometimes in cryptic language; sung by wandering bhajan singers and later collected in the Guru Granth Sahib, Panch Vani and Bijak.
5. What were the major beliefs and practices of the Sufis?
Beliefs: Muslim mystics who rejected outward religiosity; love and devotion to God and compassion for all; a personal devotion beyond the elaborate rituals and codes demanded by religious scholars; seeking union with God as a lover seeks the beloved; the heart can be trained to see the world differently. Practices: zikr, contemplation, sama, raqs, parables, breath control under a pir; silsilas with their own tariqa; assemblies in khanqahs open to all; poetry and prose; their dargahs became pilgrimage places for people of all faiths.
6. Why do you think many teachers rejected prevalent religious beliefs and practices?
Because, as NCERT shows, prevalent practice tied religion to birth and caste (the belief that privilege came from ‘high’ birth), to elaborate ritual and priestly control, to costly temple worship the poor could not share, and in Islam to rituals and codes some found too outward. People in new occupations — craftspersons, peasants, traders, labourers — sought a faith open to them. Teachers answered with direct devotion, a God in the heart, equality, compassion and songs in their own languages.
7. What were the major teachings of Baba Guru Nanak?
Worship of one God; caste, creed or gender irrelevant to liberation; liberation as an active life of social commitment, not inert bliss; followers to be householders in productive occupations, contributing to common funds; nam, dan, isnan — right worship, welfare of others, purity of conduct — remembered as nam-japna, kirt-karna, vand-chhakna; shared worship through hymns and the common kitchen, the langar.
8. For either the Virashaivas or the sants of Maharashtra, discuss their attitude towards caste.
Virashaivas: argued strongly for the equality of all human beings and against Brahmanical ideas about caste (and the treatment of women); rejected ritual and idol worship, through which status was expressed; Basavanna’s vachana claims full worship for the poor. Or the sants of Maharashtra: rejected social differences based on birth; their ranks included women and the ‘untouchable’ Mahar family of Chokhamela; Tukaram defined a saint by care for the outcast, and Karmamela openly questioned God about caste.
9. Why do you think ordinary people preserved the memory of Mirabai?
She left royal privilege for devotion; took an ‘untouchable’ saint, Ravidas, as her guru; composed bhajans in a language people understood, which could be sung; and her songs openly challenged ‘upper’-caste norms and the Rana’s authority. The poorest communities and women — who handed bhakti songs down orally, adding their own experiences — found their own struggles in hers, so her songs stayed popular in Rajasthan and Gujarat.
10. Find out whether in your neighbourhood there are any dargahs, gurudwaras or temples associated with saints of the bhakti tradition. Visit any one of these and describe what you see and hear.
A field activity. Note: whose memory the place keeps; what people do there (prayer, singing — qawwali, kirtan, bhajan, abhang — langar or offerings); who visits (people of different backgrounds?); festivals or an annual urs; music and language; any building features. Describe respectfully, as an observer.
11. For any of the saint-poets whose compositions have been included in this chapter, find out more about their works, noting down other poems. Find out whether these are sung, how they are sung, and what the poets wrote about.
A project. Choose Manikkavasagar (Tiruvacakam, Tamil), Basavanna (vachanas, Kannada), Tukaram (abhangs, Marathi, sung at Varkari gatherings), Rumi (Persian Masnavi), Mirabai (bhajans, Rajasthani and Braj forms), or Kabir (sakhis and pads, still sung in folk and classical styles). Record language, themes (love of God, criticism of ritual or caste, the heart), and how they are performed today.
12. There are several saint-poets whose names have been mentioned but their works have not been included in the chapter. Find out more about the language in which they composed, whether their compositions were sung, and what their compositions were about.
A project. Examples (Beyond NCERT details): Andal (Tamil; Tiruppavai, sung in the month of Margazhi); Akkamahadevi (Kannada vachanas); Namdev (Marathi abhangs; also verses in the Guru Granth Sahib); Narsi Mehta (Gujarati); Tulsidas (Awadhi Ramcharitmanas, recited and sung); Surdas (Braj Bhasha); Shankaradeva (Assamese and Brajavali; borgeet and Ankiya Nat); Chaitanya (sankirtan); Ravidas and Dadu (Hindi dialects); Nund Rishi (Kashmiri).

What to remember

Numbers

Bhakti popular (idea in the Bhagavad Gita)early centuries CE
Nayanars and Alvars7th–9th centuries
Nayanars · Alvars63 · 12
Chola and Pandya temples at the saints’ shrines; poems compiled10th–12th centuries
Shankara born (Kerala)8th century
Ramanuja born (Tamil Nadu)11th century
Virashaiva movement begins (Karnataka)mid-12th century
Saint-poets of Maharashtra13th–17th centuries
Islamic Holy Law and theology developed8th–9th centuries
Sufis from Central Asia settle in Hindustanfrom the 11th century
Rumi (Persian poet)13th century
Rishi order, Kashmir15th–16th centuries
Kabir (probably)15th–16th centuries
Shankaradeva of Assamlate 15th century
Mirabai married into Mewar; Chaitanyadeva16th century
Baba Guru Nanak1469–1539
Guru Arjan’s compilation · his execution1604 · 1606
Khalsa instituted · compilation authenticated1699 · 1706

One-liners

  • The idea of bhakti is present in the Bhagavad Gita.
  • The Puranas said devotees could receive God’s grace regardless of caste.
  • Nayanars were devoted to Shiva, Alvars to Vishnu.
  • Nayanar songs: Tevaram and Tiruvacakam; Alvar songs: Divya Prabandham.
  • Andal was the daughter of Periyalvar.
  • Shankara advocated Advaita; Ramanuja, influenced by the Alvars, Vishishtadvaita.
  • Basavanna, Allama Prabhu and Akkamahadevi led the Virashaiva movement.
  • Pandharpur’s Vitthala temple was the centre of Maharashtra’s bhakti.
  • The saint-poets of Maharashtra rejected renunciation and lived as householders.
  • Nathpanthis, Siddhas and Yogis advocated renunciation and yoga.
  • Sufis trained under a pir; a silsila is a genealogy of Sufi teachers.
  • Nund Rishi founded the Rishi order of Kashmir.
  • Tulsidas wrote the Ramcharitmanas in Awadhi.
  • Shankaradeva began the namghars of Assam.
  • Kabir was brought up among Muslim julahas (weavers) near Benares.
  • Guru Angad wrote in the new Gurmukhi script.
  • Guru Gobind Singh instituted the Khalsa in 1699.

Traps to avoid

  • Nayanars = Shiva (63); Alvars = Vishnu (12) — do not swap.
  • Advaita = Shankara; Vishishtadvaita = Ramanuja; Dvaita = Madhva (Beyond NCERT).
  • Maharashtra saints were householders; Nathpanthis advocated renunciation.
  • Narsi Mehta was Gujarati, not Marathi.
  • Map 1 puts Tukaram in the 16th century — he lived in the 17th (Jahangir’s contemporary).
  • Map 1 puts Ramananda in the 16th century — most references say 14th–15th.
  • Gurmukhi: Guru Angad (NCERT), not Guru Arjan (UPSC 2004 key).
  • Guru Tegh Bahadur (born 1621) could not be in the 1604 compilation; his hymns were added later.
  • The Bijak is Kabir’s, not Dadu Dayal’s (UPSC 2014).
  • The Chishti order is named after Chisht (Afghanistan), not a place in Ajmer (UPSC 1997).
  • Rumi: ‘Central Asia’ (p. 68) or ‘Iran’ (p. 70) in NCERT — born at Balkh, lived at Konya.
  • Jayadeva’s Gita Govinda is in Sanskrit; ‘of Bengal’ is disputed (Odisha also claims him).

How to strategise

Prelims — what UPSC asks

  • Saints and regions: UPSC 1979 (Chaitanya, Bengal), 1987 (Namdev–Maharashtra, Chaitanya–Bengal, Surdas–UP, Nanak–Punjab), 1990 (Vaishnava saints and regions) — learn the Map 1 table.
  • Philosophers and founders: Ramanuja (1984, 2022: ‘the best means of salvation was devotion’), Sankara–Advaita and Basava–Vira Saivism (1990), the Lingayats and Basava (1988).
  • Sufis: Sufism within Islam (1979), the urs at Ajmer for Muinuddin Chishti (1992), Sufi practices (2012). Kirtan: Chaitanya (1988).
  • Sikh history and saints in time: ‘God is one’ (1982), Sikh places (1992), Sikh Gurus and Gurmukhi (2004, flawed), Tukaram and Jahangir (2006), Nanak and the fall of the Lodis (2013), the Bijak (2014). Watch NCERT’s own slips: Tukaram’s and Ramananda’s centuries on Map 1.

Mains — where it appears and how to answer

  • GS1 2014 (‘Sufis and medieval mystic saints failed to modify … religious ideas and practices or the outward structure of Hindu/Muslim societies’): use this chapter for what they challenged — caste, ritual, priestly authority — and the attributed readings (Nizami, Digby, Rizvi, Eaton; Vaudeville, Lorenzen) for both sides; lehs202 for depth. GS1 2021 (bhakti literature and its contribution): regional languages, songs carried by the poor and women, music (bhajan, kirtan, abhang, Gita Govinda). GS1 2018 (Chaitanya’s re-orientation of bhakti): ecstatic kirtan, Krishna-Radha devotion — iest203 and lehs202 add more.
  • GS4 2023 (‘major teachings of Guru Nanak … relevance in the contemporary world’): nam, dan, isnan / nam-japna, kirt-karna, vand-chhakna; equality of caste, creed and gender; langar; active, socially committed life — then apply to ethics (honest work, sharing, dignity of labour) without commentary on present-day politics.

Self-check

Tap an option. NCERT's own exercise questions come first; the rest test the figures and common confusions.

1. Which pair is correctly matched?

2. Vishishtadvaita, the doctrine of ‘qualified oneness’, was propounded by:

3. Which of the following is NOT named by NCERT as an advocate of Virashaivism?

4. The saint-poets of Maharashtra, according to NCERT:

5. In Sufi practice, sama means:

6. Which Sufi is correctly paired with the place NCERT associates with him?

7. According to NCERT, the Gurmukhi script was first used by:

8. Arrange in chronological order: (1) Khalsa instituted (2) Guru Arjan’s compilation (3) Guru Arjan’s execution (4) authentication by Guru Gobind Singh

UPSC questions from this chapter

Open any question to attempt it in the Question bank — your attempt is saved to your progress.

Prelims

17 questions · newest first
2022Prelims GSThe world’s second tallest statue in sitting pose of Ramanuja was inaugurated by the Prime Minister of India at Hyderabad recently. Which one of the following statements correctly represents the teachings of Ramanuja ?Attempt →2014Prelims GSConsider the following statements : 1. ‘Bijak’ is a composition of the teachings of Saint Dadu Dayal. 2. The Philosophy of Pushti Marg was propounded by Madhvacharya. Which of the statements given above is/are correct?Attempt →2013Prelims GSConsider the following Bhakti Saints : 1. Dadu Dayal 2. Guru Nanak 3. Tyagaraja Who among the above was/were preaching when the Lodi dynasty fell and Babur took over?Attempt →2012Prelims GSWith reference to the religious history of medieval India, the Sufi mystics were known to pursue which of the following practices ? 1. Meditation and control of breath 2. Severe ascetic exercises in a lonely place 3. Recitation of holy songs to arouse a state of ecstasy in their audience Select the correct answer using the codes given below :Attempt →2006Prelims GSBhakta Tukaram was a contemporary of which Mughal Emperor?Attempt →2004Prelims GSConsider the following statements about Sikh Gurus: 1. Banda Bahadur was appointed as the military leader of the Sikhs by Guru Tegh Bahadur. 2. Guru Arjan Dev became the Sikh Guru after Guru Ram Das. 3. Guru Arjan Dev gave to Sikhs their own script—Gurumukhi. Which one of the statements given above is/are correct?Attempt →1992Prelims GSMatch List I with List II and select the correct answer by using the codes given below the lists. List I List II A. Nankana 1. Guru Gobind Singh B. Nanded 2. Guru Amar Das C. Dera Baba Nanak 3. Guru Ram Das Nanak D. Amritsar 4. Guru Nanak A B C DAttempt →1992Prelims GSThe Chishti saint, in whose honour ‘Urs’ is held in Ajmer every year, wasAttempt →1990Prelims GSConsider the following pairs : Vaisnava Saints — Region of strong following 1. Ramanujacharya — South India 2. Chaitanya — Central India 3. Vallabhacharya — Gujarat and Brajarea 4. Ramanand — North India Of these pairs :Attempt →1990Prelims GSMatch List I with List II and select the correct answer using the codes given below them : List I List II A. Nagarjuna 1. Founder of Kalmukha Sect B. Lakulisho 2. Founder of Vira Saivism C. Sankara 3. Founder of Advaita philosophy D. Basava 4. Founder of Madhyamika 5. Propagator of Pasupata SectAttempt →1988Prelims GSWho among the following Bhakti leaders used the medium of dance and songs (Kirtans) to make one feel the personal presence of god near him ?Attempt →1988Prelims GSThe Lingayat movement owes its origin toAttempt →1987Prelims GSMatch the columns : (A) Namdeva (i) West Bengal (B) Chaitanaya (ii) Uttar Pradesh (C) Surdas (iii) Maharashtra (D) Nanak (iv) PunjabAttempt →1984Prelims GSRamanujacharya advocatedAttempt →1982Prelims GSWhich of the following statements is correct for Guru Nanak ?Attempt →1979Prelims GSAmong the following who was the proponent of the ‘Bhakti Cult’ from West Bengal ?Attempt →1979Prelims GS“Sufi Sect” originated and developed inAttempt →

Mains

4 questions
2023GS4What were the major teachings of Guru Nanak? Explain their relevance in the contemporary world. (Answer in 150 words)Write answer →2021GS1Evaluate the nature of Bhakti Literature and its contribution to Indian culture. (Answer in 150 words)Write answer →2018GS1The Bhakti movement received a remarkable re-orientation with the advent of Sri Chaitanya Mahaprabhu. Discuss. (Answer in 250 words)Write answer →2014GS1Sufis and medieval mystic saints failed to modify either the religious ideas and practices or the outward structure of Hindu / Muslim societies to any appreciable extent. Comment. (Answer in 150 words)Write answer →

17 Prelims and 4 Mains UPSC questions are linked to this chapter. More from Our Pasts – II.